The T List: Five Things We Recommend This Week

Welcome to the T List, a newsletter from the editors of T Magazine. Each week, we share things we’re eating, wearing, listening to or coveting now. Sign up here to find us in your inbox every Wednesday. And you can always reach us at tlist@nytimes.com .


Step by Step

The Model Parker Kit Hill’s Beauty Regimen

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Left: Parker Kit Hill. Right (products, clockwise from top left): Lord Jones Royal Oil, $95, lordjones.com . Editions de Parfums Frédéric Malle Portrait of a Lady, $390 (100ml), fredericmalle.com . Dior Addict Lip Maximizer #004 Coral, $35, Dior.com . Everyday Oil, $48, everydayoil.com . Lush Cosmetics Renee’s Shea Souffle Hair and Scalp Oil, $30 (6.7 oz), lushusa.com . Youth to the People Superfood Cleanser, $36, youthtothepeople.com . Credit... Portrait: Eric White. Product photos: courtesy of the brands

Interview by Megan Bradley

For this month’s installment of the T List’s beauty column, which details the products and treatments that creative people swear by, Parker Kit Hill speaks about his daily routine.

My line of work is all about my face, so I need to take care of my skin as much as I can. After I wake up, I rinse it with water, then I use the Superfood Cleanser from Youth to the People. It’s superlight. After that, I’ll use its Kombucha + 11% AHA Exfoliation Toner or the Yerba Mate Resurfacing + Exfoliating Energy Facial , which brightens me up and takes away the dead skin. I finish with Lord Jones’s Royal Oil . It feels so nice. My hair is a process. Renee’s Shea Souffle , put my hair in twists and put my cap on. The next morning, I release the twists and put more Shea Souffle on, separate the ends and comb it out, then blow-dry it and brush it into a style. After that, I’ll use Everyday Oil : My hair loves it. My whole makeup routine has changed in quarantine. I used to do a full face all the time. Now, I only really apply makeup in my T-zone. I use Dior’s Forever Skin Correct concealer under my eyes, and then sometimes I’ll use Diorshow Mascara in Blue, but I always curl my lashes before I leave the house — it totally opens your eyes up. When it’s cold, my eyes get super red, so I use Lumify eye drops — they’re great for when I’m meeting up with friends and don’t want to look like I was just crying. I like a bold lip, to add some drama for when I take off my mask, and use Dior’s Addict Lip Maximizer in Coral. Every two weeks, I get my nails done by Nails by Mei . I love to play around. Sometimes I’ll do a mosaic, sometimes a simple nude. But scents are really number one for me: Over anything else, I want to smell good. One of my go-tos is Frédéric Malle’s Portrait of a Lady . Before quarantine, I attended Rihanna’s Paris Fashion Week Fenty party. I went up to her and was like, “Oh my God, you smell so good. What is that?” And she was like, “Oh, it’s Portrait of a Lady.” After that, I was hooked.

This interview has been edited and condensed.


book This

Secluded Guesthouses in the South of Portugal

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The first two properties from the Addresses, a collection of new private guesthouses in southern Portugal. Casa Um (left) and Casa Dois (right) were renovated by the Portuguese architecture firm Atelier Rua, with interior design by the Belgium-based Studio Stories. Credit... Francisco Nogueira

By Gisela Williams

For years, friends of Bert Jeuris and Ludovic Beun — two Flemish business partners who founded the Madeira Collection , a Portuguese wine company, in 2011 — Atelier Rua , with interior design by the Belgium-based Studio Stories , the homes are minimalist and modern, with whitewashed exteriors Pedro Domingos Arquitectos , will debut in 2022, with more to follow. theaddresses.com .


see This

A Retrospective of James Barnor’s Photography

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From left: James Barnor’s “Sick-Hagemeyer Shop Assistant, Accra” (circa 1971) and “Studio X23, Accra” (circa 1975). Credit... © James Barnor, courtesy of Autograph

By Will Fenstermaker

At once a singular portraitist and an enchanting documentary photographer, James Barnor has spent 60 years capturing African life both at home and abroad. Now, London’s Serpentine Gallery has assembled the first major retrospective of his work, “ Accra/London ,” which will open this month. Culled from nearly 40,000 photographs, the featured images span three decades, beginning in the 1950s, when Barnor ran Ever Young, a portrait studio in Accra, Ghana, that moonlighted as a social club. Photographing athletes, musicians and other residents of the city, he developed a reputation that rivaled those of Malick Sidibé and Seydou Keïta, who were based in “Accra/London” will be on view from May 19 to October 24 at the Serpentine North Gallery, West Carriage Drive, London, serpentinegalleries.org .


Buy This

Table Linens That Offer a Touch of Escapism

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A blue-and-white linen tablecloth, with matching napkins, from Summerill & Bishop’s latest collection, Stripe, a playful invocation of sunny climes from the South of France to the Amalfi Coast. Credit... Nicole Hains

By Aimee Farrell

Few patterns instantly evoke summer like thick, vibrant stripes. “Everyone has their own memories of the motif,” says Seb Bishop, a co-owner of the London home goods store Summerill & Bishop. “But for me, it’s the striped towels on the beaches of southern France, near Aix-en-Provence, Luke Edward Hall , the jewelry designer Carolina Bucci and the chef Skye Gyngell . “It’s a way to slow things down,” he says of the daily ritual of table dressing. “The more beautiful the table, the more time you spend there.” summerillandbishop.com .


Visit This

In a Midcentury Home, an Art and Design Exhibition

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The Gerald Luss House in Ossining, N.Y. Left: Kiva Motnyk’s “Afternoon Light — Multi” (2021) in the window and Alma Allen’s “Not Yet Titled” (2020) on the floor. Right: Green River Project’s aluminum chair and round table (2021); glass vessels by Ritsue Mishima (2007-12); micaceous clay vessels by Johnny Ortiz (2021); and, on the wall, Matt Connors’s “Short Tom (Tuned)” (2021). Credit... Michael Biondo

By Alice Newell-Hanson

The modern, cantilevered house that the architect Gerald Luss built for his young family in Ossining, N.Y., in 1955 has remained largely unchanged in the intervening years. The carport where Luss would park his yellow Corvette on returning home from Manhattan, where he was overseeing the interior design of the Time-Life Building, is gone, and subsequent owners Green River Project — forged from aluminum in a nod to the material’s prominence in the Time-Life Building — now sit in the entryway. In the main bedroom, a vibrant 8 by 6 foot abstract canvas by the Brooklyn-based painter Eddie Martinez echoes some of the shades — lemon sorbet, pine green and soft cornflower blue — of the colored laminate panels that recur throughout the house as sliding doors and cupboard fronts. And in the large, light-filled living room, amorphous glass sculptures by the artist Ritsue Mishima cast shifting refractions across the original 12-foot-long tufted sofa that Luss created for the home. But the room I’ve been daydreaming about since my visit is the bathroom, where a wall of floor-to-ceiling windows provide a view from the sunken tub — enormous and lined with delicate shell pink tiles — of the Japanese artist Kishio Suga’s installation “Dispersed Spaces” (2015/2021), a meditative assemblage of 24 strung fishing rods that surrounds a flowering crab apple tree in the garden just beyond. “At the Luss House” will be on view by appointment from May 7 to July 24, object-thing.com .


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