The T List: Five Things We Recommend This Week

Welcome to the T List, a newsletter from the editors of T Magazine. Each week, we share things we’re eating, wearing, listening to or coveting now. Sign up here to find us in your inbox every Wednesday. And you can always reach us at tlist@nytimes.com .


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A 17th-Century Retreat Near the Adriatic Coast

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Left: the central piazza at Masseria Calderisi, which is planted with ancient olive trees, flowering cactuses and fragrant rosemary. Right: the hotel’s private strip of beach. Credit... Andreas Kusy

By Gisela Williams

Lately, it’s seemed as if all of Italy’s most talked-about boutique hotels are opening in Puglia, the country’s heel: Palazzo Daniele , Palazzo Luce and, as of next month, Masseria Calderisi. The owners of the latter, Max and Jutta von Braunmühl, had been returning to the region — where the two were married in 2011 — for more than a decade in search of a property. Three years ago, they found, and quickly snapped up, a 17th-century farm estate surrounded by almost 20 acres of gardens and olive groves. The couple, who live with their three Rooms start at about $407, masseriacalderisi.com .


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Delicious, Sustainable Bubble Waffles and Bubble Teas

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From left: Dot Dot’s pink strawberry bubble waffle and strawberry cream bubble milk tea. Credit... Courtesy of Dot Dot

By Flo Wales Bonner

A bubble waffle was the first thing the British fashion writer Susie Lau ate on her inaugural trip to Hong Kong, her parents’ birthplace, when she was 9. To this day, she can recall the stand’s sweet smell wearedotdot.com .


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At Arias, a James Welling Exhibition

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James Welling’s “7712” (2017). Credit... Courtesy of the artist and David Zwirner

By Sean Caley Newcott

Arias, a recently launched brand offering simple yet elegant women’s wear, opened its first shop, in downtown Manhattan, James Welling . On view through the end of June, the show is a collaboration between the artist and Arias’s creative director and founder, Nina Sarin Arias, and consists of five never-before-seen works culled from three different series made over the past seven years and arranged in such a way that the line’s cotton poplin blouses, silk ruffle dresses and ruched midiskirts “Arias New York x James Welling” is on view through June 30 at Arias, 466 Broome Street, Manhattan, ariasnewyork.com .


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A T-Shirt That Supports the Stop Asian Hate Movement

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Stop Asian Hate x Deaf Power x Staple T-shirt. Credit... Courtesy of Deaf Power

By Angela Koh

To help combat anti-Asian racism, four creative types from around the world have come Christine Sun Kim , the London-based Indian-Australian designer and art director Ravi Vasvan and the Washington, D.C.,-based American Sign Language , “Stop Asian Hate.” Those words also run down the length of the left sleeve, while the right showcases Staple Pigeon’s logo, along with the symbol for Deaf Power: <0/. The three Deaf makers Proceeds from the shirt will be split between Support the AAPI Community Fund and Stop #AAPIHATE With Asian Signers , $50, staplepigeon.com .


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The Otherworldly Ceramics of Emily Mullin

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From left: Emily and Tony Mullin’s “Springtime in Sardinia I + II” (2021) and “Lace Revivalism” (2021). Credit... Photos: Tony Mullin. Courtesy of the artists and Jack Hanley Gallery

By Natalia Rachlin

During a year in which international travel was mostly imaginary, the Brooklyn-based ceramic artist Emily Mullin found herself drawn to references from far-flung places: intricate hand-woven Guatemalan textiles; the ornate murals of the 17th-century Bundi Palace in Rajasthan, India; a 1958 short about the Côte d’Azur by the French filmmaker Agnès Varda; and the innovative midcentury museum displays of the Italian architect Franco Albini. These inspirations crystallize in her latest solo exhibition, “Get a Room,” currently on view at Jack Hanley Gallery in Manhattan, which comprises 25 hand-formed vessels characterized by vibrant colors, otherworldly patterns and graphic silhouettes. “Escapism has always influenced the work I make,” says Mullin, who is known for her fantastical modern pots that riff on Classical forms, but of course, during the pandemic, that impulse has felt especially acute. “The timing of the show is also excellent,” she says, “because the flowers that I like to place in the pieces reflect the joyful and explosive emergence of spring.” Indeed, tulips overflow from a chubby vase with twisted handles glazed in glossy chartreuse, while anemones fill a high-necked urn with black-and-white stripes. Made from a variety of clays including porcelain and earthenware, Mullin’s creations are sculptural yet craft-inspired — many have elaborate, lacelike embellishments — and are presented on brightly colored wall-mounted plinths and steel display tables that she made in collaboration with her husband, the artist Tony Mullin. The stands were based on small paper maquettes that the couple originally crafted at their dining table — proof that creativity can also be fed close to home. “Get a Room” is on view at Jack Hanley Gallery through May 8, jackhanley.com .


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